"An investigative documentary that takes viewers inside the high-stakes business of boxing. It is an unprecedented look at the inner workings of the fight game from both sides of the ropes with access to the FBI's investigation of the International Boxing Federation and a ringside seat at the contract negotiation for the most lucrative deal in the sport's history."

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

An unfinished game of Chess of Death from five hundred years ago was said to hold the clue to a buried treasure and Lin Shuang Sword was the key to the game. Anyone who could finish this game would obtain enough wealth to take over the world. Five hundred years later, Ren Qian Xin was ordered to find Lin Shuang Sword. Ren was madly in love with Liu Yi Yi. But the woman's heart was on his honorary brother, Yan Cang Feng. The despaired Ren challenged Yan to the Chess of Death.

Hairy and rowdy creatures called rolleys sail to a land inhabited by more peace-loving elves. When the rolleys arrive to the elf village, they scare the elves away and settle down in the village. One of the elves, Milli, a brave elf girl, returns to the village to make a peace with the rolleys. The rolleys do not warm to Milli's peace proposal, but she becomes friends with a rolley called Rölli. It becomes their mission to solve the conflict between the elves and the rolleys.

The balance of nature is in danger and only Clara and her friend have the heart to solve the secret of the bears and to break a centuries-old spell.

A documentary following the various stages in the production of Indiana Jones and the Temple of Doom (1984).

A documentary about the making of director Martin Scorsese's 1993 film adaptation of Edith Wharton's Pulitzer Prize-winning novel, The Age of Innocence. It features a conversation between Scorsese and the star of the film, Daniel Day Lewis, as well as rare behind-the-scenes footage.

A five-part documentary with interviews from the director, cast and crew, and some behind-scenes footage.

The movie focuses on the battle of Cheolwon, where the 63rd Army of the Chinese People's Volunteer Army (CPVA) was ordered to enter the battlefield of Cheolwon in May 1951, just after a month-long battle, to fight against four divisions of the United Nations Army (UNA). The volunteers fought with bloodshed and finally brought the enemy to the negotiation table.

Egon Brümmer and his half-strong "boys" are an integral part of the Borkenheide Musical Club. When the manager of the clubhouse forbids them to rehearse in his rooms, Egon and his friend Paul react by hitting on the visitors to a nearby Christmas party. Both are sentenced to six months in prison without parole for assault. When Egon gets out of prison, he wants to leave his old life behind him. He tries to avoid the boys, but they don't understand his change of heart. He starts working as an unskilled laborer on a building site, just as he did before he went to prison. At a graduation ball, Egon meets Christine Lange, who wants to study medicine. Her friends call her the "eighth wonder of the world" because it would be a miracle if she were to fall in love. Egon pretends to be a construction specialist and the two dance together.